I’ve quit my six-figure job to start a business – despite the gloom


Jeremy Weil
Jeremy Weil is stepping down from his role at the Economist to focus on his colouring-books start-up – Paul Grover for The Telegraph

I’ve wanted to run my own business for as long as I can remember. Even at the age of five, I would print out little mock business cards with “consultant” on them. But while I’ve spent the last 15 or so years either investing in start-ups or trying to create them myself, with varying degrees of success, I’ve always had to juggle my passion for entrepreneurship with the demands of a full-time job.

That is until now. I’ve called time on life in the office to commit myself fully to Colour Your Streets, the start-up I founded with my wife, the broadcaster Emma Barnett, a year ago. To do this, I’m giving up a six-figure job at The Economist’s intelligence unit, where I was head of product. Before that I worked for the likes of Reed Business Information and Deloitte.

People say the UK isn’t great for entrepreneurship any more, but that hasn’t been my experience – although there are certain things I haven’t been trying to do, such as raising money. What I can say is that there have been very few barriers to getting going, and there are so many fantastic tools available.

I had to leave my job because what started as a spark of an idea had become a full-time job in itself.

In 2023, Emma and I were on shared maternity and paternity leave. Our five-year-old had developed a taste for colouring-in books and, to keep him entertained, we wanted to find one that would allow him to colour in pictures of the local area – Herne Hill in south London. We were surprised to find that nothing like that existed, so we set out to make one ourselves.

Richmond Colouring Book
Jeremy Weil started Colour Your Streets so his five-year-old could colour in pictures of their local area – Colour Your Streets

At the time there was no expectation that this idea would end up taking over our lives. I began by taking some pictures of the neighbourhood on my phone, then used AI to generate book templates. I got a first attempt at a book printed, but I knew nothing at the time about paper quality or anything like that.

Still, it was exciting, seeing the idea come to life for little more than a couple of hundred pounds.

We no longer use AI – these days we work with a handful of designers – but at the very start it was a brilliant and effective tool. You can ask it to suggest a colour palette for a child-focused brand and it will give you great suggestions. This was especially helpful considering that I’m colourblind.

I was convinced that we were onto something special. We created a second run of books, widening out the areas we covered, and started showing them to friends and their children. There was an immediate positive reaction, especially among the children. When you show something to a five or six-year-old, you will know immediately whether they like it or not. They don’t hide their reactions – they’re brutal. It was interesting to see how immediately they connected with their areas and the buildings and landmarks, even things as simple and unassuming as a bench that they had sat on outside the station. It meant so much more to them than something generic.


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